Strawman Has a Point: The behaviour of the main characters and their tendency to escalate anything into a fight can increasingly make one feel that the police's treatment of them has some justification.

Vincent Lindon as the drunk guy, trying to find some company after his wife left him, while the main characters are just trying to steal a car, and then helping them escape the cops.

François Levantal as the coked Astérix.

One-Scene Wonder: Probably a few, but at least two:.He wakes up Vinz by kissing him on the cheek, follows him around, and tries to make him laugh the two share a sweet moment when Vinz cuts Saïd's hair before devolving into bickering. Saïd in particular it seems is just as keen on playfully flirting with his friends as he is with anyone else. Ho Yay: Though the boys do talk a lot about girls and even (sort of) hit on some in the gallery, their closest relationship is clearly with each other.Harsher in Hindsight: In light of the Paris attacks in 2015 this movie is a lot harder to watch knowing that it came out in 1995 and the racism between the French state and working-class immigrants would only increase.The man holding his pants while running is telling himself 'So far, so good', but at some point, he'll have to jump for the train and he'll die from exposure.May be justified, given that his story has a moral that connects with the themes of the film. To an extent, the old man in the public toilets - he walks out of one of the cubicles while Vinz and Hubert are arguing, starts talking about his friend Grunwalski, and then leaves.

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